Science

His solution to that particular problem was, of course, to write a new song, one titled “Captain Mudd.” In Russo’s mind, the main thing making this sequence “schizophrenic” was “there were all these cuts, it was happening again and again and again, and he was in that time loop.” By having a singular piece of music play throughout the entire montage, he hoped to give the scene cohesion that it wouldn’t otherwise have. This montage is arguably the most memorable part of “Magic to Make the Sanest Man Go Mad,” and Russo’s new song is a big reason for the scene’s success. Rather than have this song play the same way throughout the montage, he “would do things like change the tempo a little bit, or slow down the tempo a little bit, or change something as opposed to trying to make a big shift eve...

Chung’s father didn’t know a storm shelter might be needed in northwest Arkansas. They were unaware of the location’s proximity to the infamous Tornado Alley that generally runs from Texas north through Oklahoma, Kansas, and Nebraska. Three weeks after moving into their new home, the Twisters director said woke the family in the middle of the night, loaded them into the family car, and searched for a safe place to ride out the storm. Chung said his family was unaware that a car is unsafe during a tornado. Fortunately, the twister missed them and their home, but Chung said he’ll never forget the experience. His family eventually became used to the potential for tornadoes to disrupt their lives, much like those along the Gulf Coast being accustomed to hurricanes and tropical storms disruptin...

Sure, some of Code Monkeys‘ jokes are incredibly dated, reliant on uncomfy racial stereotypes, and require the viewer to have pop culture knowledge of early 80s gaming industry, but the jokes still hit hard. The entire series, which centers on a gang of video game developers in the 1980s, is stylized to look like a 16-bit arcade game, complete with health bars, stats, and tons of other Easter eggs in the border margins of the screen. The main characters include a gun-slinging cowboy who owns the gaming company, his mindless jock son, an adopted Korean game tester, and a wide array of obnoxious and socially-inept game developers. Source link

As the show’s composer, Jeff Russo, later said, he was reviewing this scene back when it only had temp music in it. His memory was a bit fuzzy, but he recalled that “maybe Tilly was listening to some music or something.” At this point, the Star Trek composer had a great idea that he ran by Alex Kurtzman: he wanted to do “an eight-bit electronic version” of the show’s theme song. It’s easy to overlook the presence of the Star Trek: Discovery theme song in this scene, and that’s by design: as Russo described it, he wanted to “sneak the main theme in,” and it would go mostly unnoticed because it “doesn’t sound like our score” and “it’s not very like our show to have this moment.” Source link

We watch a young Vance growing up in a household with his mother, Bev (Amy Adams), and his older sister, Lindsay (Haley Bennett) in poor neighborhoods in Middletown, Ohio. Plus, there is life with his grandmother, Mawmaw (Glenn Close), in Jackson, Kentucky, which is located in the heart of the Appalachian mountains. Vance’s prospects are few, as most kids who come from the white working class are, and he’s most likely to follow the road his mother is on — alcohol, drugs, and a constant stream of lovers she hopes will keep her and her kids afloat. This is truly a hillbilly elegy.  Source link

Teen Titans Go! is a spin-off series from Teen Titans, an animated series released in 2003 on Cartoon Network. The creator of Teen Titans, Glen Murakami, wanted to remain true to the story lines of these heroes in their own right. As such, the characters, Robin, Starfire, Cyborg, Raven, and Beast Boy, maintain their hero identities as we watch them battle villains, develop relationships amongst themselves, and grow into maturity as the supposed sidekicks of the “bigger heroes.” The original series, which is based on many of the comics that began in 1964, ran for five seasons with positive critical ratings.  Source link

Red Dwarf is another sci-fi series from England, and another swear word to add to your lexicon is the lovely smeg. This is a way to say that other s-word with only four letters, either by itself or in phrases such as “deep smeg” or “a world of smeg.” For example, if you wake up as the last living human onboard a ship with the hologram of your last bunkmate, an evolved cat, and a fussy maintenance droid, you would say, in a low, slow tone, smeg. Smeg head is a common phrase, usually to describe Rimmer, the last living human and a very lazy, very cowardly man that, if not for his historical value, would have been jettisoned light years ago. In the quest to find new and creative ways to insult Rimmer, the rest of the crew keep coming up with new variations of smeg and also, twonk, a differen...

So, what would a fan edit of The Acolyte look like? Well, I’m just guessing, but I assume it would start by cutting down the length—trimming the fat, as it were. The Acolyte already feels like a movie arbitrarily cut and lengthened to make a limited series. Somewhere in the roughly five hours of footage, there’s bound to be a tight 90-minute film. I also assume some fan editor will restructure the narrative so that Episode 7 comes earlier in the story, closer to Episode 3. Not right after mind you, but close enough that the two flashbacks feel like different sides of the same coin. Source link

Usually when you review any kind of media—be it movie, TV show, novel, or video game—you’ve got to give some sense of the plot and yes, I’ll do that here, but Monty Python and the Holy Grail is an interesting case because the plot makes about as much sense as a coconut-laden swallow. The late Graham Chapman plays King Arthur, while future Oscar-nominated filmmaker Terry Gilliam plays his faithful coconut-slapping Patsy (no one rides horses in Monty Python and the Holy Grail, they bang coconuts). The pair are visited by God, who sets them on the quest to find the Holy Grail. Arthur is soon joined by such legendary figures as Sir Lancelot (John Cleese), Sir Robin (Eric Idle), Sir Bedevere (Terry Jones), Sir Galahad (Michael Palin), and of course Sir Not Appearing In This Film. Source ...

The most important element of The Unbearable Weight of Massive Talent is the stellar acting of its two leading men, Nicolas Cage and Pedro Pascal. Both men expertly deliver comedic performances while selling themselves as action heroes when the movie calls for it. Pascal proves he’s a top-tier talent who can land jokes while exuding a slight sense of menace, while Cage lands an easy home run in a role written specifically for him.  Throughout The Unbearable Weight of Massive Talent, the genre constantly shifts, leaning into various tones and tropes that Nicolas Cage is known for. It veers from dark comedy, to slapstick, to spy thriller, to stoner comedy, and then becomes a full-blown action movie in its final act. These genre shifts keep the movie dynamic and inventive from beginning to en...